Differences

This shows you the differences between two versions of the page.

--- home:texts_and_library:essays:of-mourning [2019/07/08 19:13] – [1] frank
+++ home:texts_and_library:essays:of-mourning [2019/07/08 19:13] (current) – frank
@@ Line 64: / Line 64: @@
 ==== 17 ====
-Come, I see you need enlightenment; I will show you how lamentation ought to be done. Make a fresh start, thus: Alas, my son! Hunger and thirst and cold are his no longer! He is gone, gone beyond the reach of sickness; he fears not fever any more, nor enemies nor tyrants. Never again, my son, shall love disturb your peace, impair your health, make hourly inroads on your purse; oh, heavy change! Never can you reach contemptible old age, never be an eyesore to your juniors!— Confess, now, that my lamentation has the advantage of yours, in veracity, as in absurdity.
+Come, I see you need enlightenment; I will show you how lamentation ought to be done. Make a fresh start, thus: Alas, my son! Hunger and thirst and cold are his no longer! He is gone, gone beyond the reach of sickness; he fears not fever anymore, nor enemies nor tyrants. Never again, my son, shall love disturb your peace, impair your health, make hourly inroads on your purse; oh, heavy change! Never can you reach contemptible old age, never be an eyesore to your juniors!— Confess, now, that my lamentation has the advantage of yours, in veracity, as in absurdity.
 ==== 18 ====
@@ Line 74: / Line 74: @@
 ==== 20 ====
-And at the word Death sealed his lips for ever.
+And at the word Death sealed his lips forever.
-Thus far our corpse, leaning on one side, supported on an elbow. Can we doubt that he is in the right of it? And yet these simpletons, not content with their own noise, must call in professional assistance: an artist in grief, with a fine repertoire of cut-and-dried sorrows at his command, assumes the direction of this inane choir, and supplies a theme for their woful acclamations.
+Thus far our corpse, leaning on one side, supported on an elbow. Can we doubt that he is in the right of it? And yet these simpletons, not content with their own noise, must call in professional assistance: an artist in grief, with a fine repertoire of cut-and-dried sorrows at his command, assumes the direction of this inane choir, and supplies a theme for their woeful acclamations.
 ==== 21 ====
@@ Line 89: / Line 89: @@
 ==== 24 ====
-The final absurdity is the funeral feast, at which the assembled relatives strive to console the parents, and to prevail upon them to take food; and, Heaven knows, they are willing enough to be persuaded, being almost prostrated by a three days’ fast. ‘How long is this to go on?’ some one expostulates. ‘Suffer the spirit of your departed saint to rest in peace. Or if mourn you will, then for that very reason you must eat, that your strength may be proportioned to your grief.’ At this point, a couple of lines of Homer go the round of the company:
+The final absurdity is the funeral feast, at which the assembled relatives strive to console the parents, and to prevail upon them to take food; and, Heaven knows, they are willing enough to be persuaded, being almost prostrated by a three days’ fast. ‘How long is this to go on?’ someone expostulates. ‘Suffer the spirit of your departed saint to rest in peace. Or if mourn you will, then for that very reason you must eat, that your strength may be proportioned to your grief.’ At this point, a couple of lines of Homer go the round of the company:
 Ev’n fair-haired Niobe forgat not food,