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Historia Ars
<html><p xmlns:dct=“http://purl.org/dc/terms/”><a rel=“license” href=“http://creativecommons.org/publicdomain/mark/1.0/”><img src=“http://i.creativecommons.org/p/mark/1.0/88x31.png” style=“border-style: none;” alt=“Public Domain Mark” /></a><br />This work (by <a href=“https://lucianofsamosata.info/wiki” rel=“dct:creator”>https://lucianofsamosata.info/wiki</a>), identified by <a href=“http://meninpublishing.org” rel=“dct:publisher”><span property=“dct:title”>Frank Redmond</span></a>, is free of known copyright restrictions.</p></html>
Authored by Frank Redmond, 2012
<blockquote>The historian, we may say, should be like Phidias, Praxiteles, Alcamenes, or any great sculptor. They similarly did not create the gold, silver, ivory, or other material they used; it was ready to their hands, provided by Athens, Elis, or Argos; they only made the model, sawed, polished, cemented, proportioned the ivory, and plated it with gold; that was what their art consisted in-the right arrangement of their material.</blockquote>
Historians are creators, but their creations are made of the deeds and accomplishments of others. Some historians are part of the events they are recording; however, the events are always larger than the individual experience. Artists likewise sublimate the mundane resources and create something from something, but a bland something.